You Remind Me of the Frame - A Film Blog - Page 7

You Remind Me of the Frame
A Film Blog

You Remind Me of the Frame - A Film Blog - Page 7

You Remind Me of the Frame
A Film Blog
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  • Part Lab, Part Therapy: The World of Horror Cinema
  • What These Horrors Want: Infectious Thought in The Innocents (1961)
  • “Beyond Everything”: Storytelling and Pathogenic Possession in The Turn of the Screw (1898)
  • I’m Still Hungry: Taste and Eating in The Menu (2022)
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  • The Absent Groom: Vampirism in The Brides of Dracula (1960) – You Remind Me of the Frame on The Absent Bride: Fear and Loathing in The Invitation (2022)
  • The Absent Bride: Fear and Loathing in The Invitation (2022) – You Remind Me of the Frame on The Absent Groom: Vampirism in The Brides of Dracula (1960)
  • Gods and Monsters: An Introduction to the Universal Horror Collection – You Remind Me of the Frame on “For the Dead Travel Fast”: Vampirism and Cinema
  • Rotting Chivalry in The Green Knight (2021) – You Remind Me of the Frame on “The Tyranny of an Object”: Technology and Representation in Blade Runner (1982) and “Do Androids Dream of Electric Sheep”
  • The Devil You Know: An Index Of Cinematic Devils – You Remind Me of the Frame on “You Can’t Stop a Story Being Told”: Why the Story Counts in Imaginarium of Doctor Parnassus (2009)

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“I’m the One They Should Be Scared Of”: Traumatic Gaze, Practical Violence, and Authorship in Birds of Prey (2020)

In her first conversation with Black Canary, Harley Quinn observes, unprompted, “A…
Continue reading ““I’m the One They Should Be Scared Of”: Traumatic Gaze, Practical Violence, and Authorship in Birds of Prey (2020)”…

Backseat Driving: The Femme Fatale Passenger in The Hitch-Hiker (1953)

A flashlight moves across a dark desert road. It sweeps the sand,…
Continue reading “Backseat Driving: The Femme Fatale Passenger in The Hitch-Hiker (1953)”…

“Can You Guess What Every Woman’s Worst Nightmare Is?”: Listening to Cassandra in Promising Young Woman (2020)

CW (Content Warning): Rape, Abuse, Violence, and Pedophilia are all featured in…
Continue reading ““Can You Guess What Every Woman’s Worst Nightmare Is?”: Listening to Cassandra in Promising Young Woman (2020)”…

“We Forget [and Remake] Who We Are”: What Returns in Tigers Are Not Afraid (2017)

“Once Upon a Time…” What does it mean when a story introduces…
Continue reading ““We Forget Who We Are”: What Returns in Tigers Are Not Afraid (2017)”…

The Parasite’s Shadow in A Girl Walks Home Alone at Night (2014)

“Be A Good Boy.” A Girl Walks Home Alone at Night is…
Continue reading “The Parasite’s Shadow in A Girl Walks Home Alone at Night (2014)”…

“Baby Knows What to Do”: Furious Motherhood in Prevenge (2016)

Horror movies have a strange fixation with motherhood. Not just pregnancy, the…
Continue reading ““Baby Knows What to Do”: Furious Motherhood in Prevenge (2016)”…

Where the Danger Lies: Crime and Supernatural Cinema

An Introduction to March and April Crime movies suggest the danger is…
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Painting Words in Portrait of a Lady on Fire (2019)

“When you’re observing me, who do you think I’m observing?” Reading visual…
Continue reading “Painting Words in Portrait of a Lady on Fire (2019)”…

Practical Witchcraft and Style in Howl’s Moving Castle (2004) and Earwig and the Witch (2020)

Howl’s Moving Castle installs a delicate balance between practicality and magic. The…
Continue reading “Practical Witchcraft and Style in Howl’s Moving Castle (2004) and Earwig and the Witch (2020)”…

“My Gift is My Song”: Heroic Love and Eurydice in Moulin Rouge (2001)

I used to turn off Moulin Rouge! right before the ending, just…
Continue reading ““My Gift is My Song”: Heroic Love and Eurydice in Moulin Rouge (2001)”…
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