Autumn de Wilde’s adaptation of Emma ends with a period. I mean…
Reading Film: Seeing the Mark in Nightmare Alley (2021)
What is Close Reading? Nightmare Alley poses the question: when should you…
Life Inside the Frame: How to Define Male Gaze
I got a strange message the other day. It was referring to…
Telling Sound: What Makes Music in Film (Part III)
Music breathes into film, it gives it life, but it also acts…
Non-Diegetic Sound: What Makes Music in Film (Part II)
Non-diegetic music exists between a film and its audience. The audience can…
Unsettling the Score: What Makes Music in Film (Part I)
Movies can redefine a song without ever changing the tune. They can…
“No Finer Place for Sure”: Looking Beyond the Spotlight in Last Night in Soho (2021)
Spoilers ahead When standing under a spotlight, you can only see what…
“Witch, Witch, You’re a Witch!”: Generational Curses in Practical Magic (1998)
A woman stands at the gallows, overlooking a crowd of jealous women…
The Outstretched Hand in the Creature from the Black Lagoon (1954)
Kay stands alone at the bottom of the ocean. It’s a quick…
“The Blood is the Life”: Blank Space in Dracula (1931)
Horror films are like vampires, they feed off their audience. They pierce…