Defining Moments in Film - You Remind Me of the Frame

You Remind Me of the Frame
A Film Blog

Defining Moments in Film - You Remind Me of the Frame

You Remind Me of the Frame
A Film Blog
Skip to content
  • About
  • Contact
  • Privacy Policy

Recent Posts

  • Part Lab, Part Therapy: The World of Horror Cinema
  • What These Horrors Want: Infectious Thought in The Innocents (1961)
  • “Beyond Everything”: Storytelling and Pathogenic Possession in The Turn of the Screw (1898)
  • I’m Still Hungry: Taste and Eating in The Menu (2022)
  • Holiday Break Until January 10th

Recent Comments

  • The Absent Groom: Vampirism in The Brides of Dracula (1960) – You Remind Me of the Frame on The Absent Bride: Fear and Loathing in The Invitation (2022)
  • The Absent Bride: Fear and Loathing in The Invitation (2022) – You Remind Me of the Frame on The Absent Groom: Vampirism in The Brides of Dracula (1960)
  • Gods and Monsters: An Introduction to the Universal Horror Collection – You Remind Me of the Frame on “For the Dead Travel Fast”: Vampirism and Cinema
  • Rotting Chivalry in The Green Knight (2021) – You Remind Me of the Frame on “The Tyranny of an Object”: Technology and Representation in Blade Runner (1982) and “Do Androids Dream of Electric Sheep”
  • The Devil You Know: An Index Of Cinematic Devils – You Remind Me of the Frame on “You Can’t Stop a Story Being Told”: Why the Story Counts in Imaginarium of Doctor Parnassus (2009)

Archives

  • April 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020

Categories

  • 100th Anniversary Event
  • Alice in Hollywood
  • Animation
  • Biopics
  • Classic Adaptations
  • Cottagecore
  • Crime
  • Dark Comedies
  • Defining Moments in Film
  • Demons
  • Fairy Tale Cinema
  • Film Theory
  • Horror
  • Horror Musicals
  • Imagined and Unseen Violence
  • Interpreting Genre
  • Intertextuality and the Art of Reference
  • Monsters
  • Music
  • Mythology and Theology
  • Opening Scenes
  • Phantom of the Opera
  • Reinventing the Fairy Tale
  • Romance
  • Shakespeare in Film
  • Supernatural Horror
  • Television
  • Transmediality
  • Uncategorized
  • Witches
  • Yuletide

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Category: Defining Moments in Film

“Entering The Town of Twin Peaks”: Introducing the Here and Gone in David Lynch’s Twin Peaks (1990)

Updated November 22, 2022 We are used to seeing frightening things appear…
Continue reading ““Entering The Town of Twin Peaks”: Introducing the Here and Gone in David Lynch’s Twin Peaks (1990)”…

“Bang Bang”: Performance and Trope in Kill Bill Vol. 2 (2004)

There is one absolute certainty in Quentin Tarantino’s two volume Kill Bill…
Continue reading ““Bang Bang”: Performance and Trope in Kill Bill Vol. 2 (2004)”…

“It’s Time I Look Them Up, Before I’m in a Box Myself”: Objects and Disruption in Amélie (2001)

Amélie finds beauty in witnessing the way objects impact people. She is…
Continue reading ““It’s Time I Look Them Up, Before I’m in a Box Myself”: Objects and Disruption in Amélie (2001)”…

“The Tyranny of an Object”: Technology and Representation in Blade Runner (1982) and “Do Androids Dream of Electric Sheep”

“The tyranny of an object… it doesn’t know I exist”…
Continue reading ““The Tyranny of an Object”: Technology and Representation in Blade Runner (1982) and “Do Androids Dream of Electric Sheep””…

“We’ll Always Have Paris”: The Greatest Close-Up in Cinema and the “La Marseillaise” Scene in Casablanca (1942)

Film is a form of propaganda. It’s designed to make you feel…
Continue reading ““We’ll Always Have Paris”: The Greatest Close-Up in Cinema and the “La Marseillaise” Scene in Casablanca (1942)”…

“And They Knew Each Other”: Detection, Intent, and Realization in Silence of the Lambs (1991)

A good murder mystery requires audience participation. Murder mystery films consist of…
Continue reading ““And They Knew Each Other”: Detection, Intent, and Realization in Silence of the Lambs (1991)”…

Inside Versus Out: How to Construct a Defining Moment in Film and in Character

Intro for the Week(s) Sometimes the moments which define a character are…
Continue reading “Inside Versus Out: How to Construct a Defining Moment in Film and in Character”…

Bars on the Window: Deconstructing the Crown in Basquiat (1996)

I once heard that there is no use talking about art. Someone…
Continue reading “Bars on the Window: Deconstructing the Crown in Basquiat (1996)”…

“Give Him a Mask and He’ll Tell You the Truth”: The Life and Death Of Ziggy in Velvet Goldmine (1998)

Biopics tread in blasphemy. There is something impossible about trying to recreate…
Continue reading ““Give Him a Mask and He’ll Tell You the Truth”: The Life and Death Of Ziggy in Velvet Goldmine (1998)”…

“We Could Have Been Friends?”: The Legacy of Bette Davis and Joan Crawford in Feud (2017)

Feuds are never one sided or provoked by just one event. They…
Continue reading ““We Could Have Been Friends?”: The Legacy of Bette Davis and Joan Crawford in Feud (2017)”…
© 2025 You Remind Me of the Frame | Using Receptar WordPress theme. | Privacy Policy | Back to top ↑